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A simple and straightforward comprehension activity on Walt Whitman’s poem, “The World Below the Brine”. Questions focus on language, structure, viewpoint and ideas. There are 11 questions in total. Could be used for homework or set as cover. Alternatively, the questions could be used to structure a guided reading activity or prompt class discussion.

A basic comprehension activity on “Snow” by Walter de la Mare. There are ten questions focusing on the writer’s methods and their effect. Originally created as a homework. Could also be used as a cover activity, for exclusion work or for distance learning.

This is a straightforward worksheet. It uses the narrative poem, “The Farmer’s Wife” and there are questions alongside each verse. These questions could be given to pupils for independent work or alternatively could be used to structure a guided reading session. Planned for a year 7 class as part of their distance learning - but might be of use for year 6.

The aim of this lesson is for the children to explain a writer’s viewpoint and to write effectively to describe. The text used is “The Spell of the Yukon” by Robert W.Service. The lesson begins with an image of a prospector and there are questions to prompt some really basic knowledge of the context and then to prompt the building of a word bank. The focus then changes to the poem itself. There are four slides taking the pupils through the first verse and the effect of its verbs, simile and metaphor. The pupils are then asked to explain the speaker’s viewpoint - as expressed in the last two lines of the first verse - in their own words. The pupils are then asked to read the whole poem with a focus on the writer’s viewpoint and how it’s communicated. One slide provides an opportunity for a recap on abstract nouns - as Service uses plenty in the poem. Finally, there is a writing activity which takes the pupils back to the original image and asks them to write a description inspired by that image, using a simile, a metaphor and an abstract noun in each paragraph of their writing.

This is Belloc’s cautionary tale of Jim who was eaten by a lion and there are 16 multiple-choice questions focusing on vocabulary with some basic comprehension. Originally set for h/w but could be used as a pre-reading activity to identify and address any misconceptions prior to some more work on the poem.

A short and bog-standard revision powerpoint on “When We Two Parted”, from the AQA GCSE English Literature Love and Relationships poetry cluster. There is a slide offering some brief information about context and then one slide per verse, each slide offering five notes. Created for my year 11 class to support their revision. If you find this useful, it would be great if you could take the time to leave a review.

This is a very bog-standard powerpoint using some questioning to support students’ recall of Hardy’s ‘Neutral Tones’ and ‘Singh Song’, “Love’s Philosophy” and Sonnet 29 - prior to asking them to tackle a question about the presentation of feelings about romantic relationships. Might come in useful as a starting point for revision. If you find this of use, I would very much appreciate you taking the time to leave a review.

Made for my class as part of their revision, this extract is longer than they’ll have in the exam - to give them more scope for choosing evidence - and is Romeo’s long speech as he enters the Capulet tomb. The question, divided into two bullets as in the exam, asks the students to focus on Shakespeare’s presentation of the effects of love.

This is a comprehension activity - structured for increasing difficulty - with the tasks and questions divided into four sections: vocabulary, information retrieval, inference and explanation of methods. Useful for cover or for homework. Useful for a focused study of this particular section of Stoker’s novel.

The extract used is the description of Jonathan Harker’s journey towards Dracula’s castle. There are 12 questions focusing mainly on the writer’s methods and their effect. Useful for homework or as a cover activity. Could also be used to structure a guided reading session.

This is an old-school comprehension activity focusing on the excerpt from “Great Expectations” in which Mrs Joe is introduced. Created for a year 8 class who needed a cover lesson in the middle of a Dickens SOW, this has 17 questions and could be used as intended - for cover - but also for homework or even to structure a guided reading activity. If you find this useful then I would be very grateful if you could take the time to leave a review.

This lesson uses the excerpt in which Mrs Joe is introduced. Students are asked to work through 3 of Dickens’s methods for characterisation: contrast, symbolism (specifically, the symbol of Mrs Joe’s apron) and the use of a semantic field. Through a mixture of questioning and discussion, pupils are guided through some ideas about the effect of these methods. Thereafter, they are asked to write a response to this question: Explain how Dickens uses contrast, the symbol of the apron and a semantic field to create the character of Mrs Joe. The final slide of the powerpoint is a self-assessment grid.

This lesson uses Jack London’s brilliant story “Moon Face” which would sit really well alongside Poe’s “The Tell Tale Heart”. Planned for a year 9 class as part of a unit on short stories but has potential to be used elsewhere at KS3. The aim of the lesson is to use inference to explore the idea of an unreliable narrator. The lesson takes the students through discussion of the effect of a simile, of personification and begins to explore the idea of the narrator’s hypocrisy. After a short time in paired discussion, students are then asked to respond to this question - In ‘Moon Face’, what do we understand about London’s unreliable narrator?

Emily Dickenson’s “Summer Shower” with 11 questions intended to encourage close reading and some simple analysis. Planned for year 7 as part of a unit on poetry but also suitable at the top end of KS2. Could be used as a homework activity or for cover - the questions could also be used to structure a guided reading session.

A workmanlike comprehension activity based on the excerpt from chapter 23 in which Victor discovers that Elizabeth has been strangled and tries to shoot the creature. There are ten questions focusing on comprehension, inference, methods and their effect. Useful for homework, for cover or even for structuring a guided discussion of the text.

A very matter of fact comprehension exercise based on an excerpt from chapter 19 of “Frankenstein” in which Victor ‘hides out’ on Orkney in order to create a bride for his creature. There is a focus on inference and the characterisation (in terms of thoughts and feelings) of Victor Frankenstein as he narrates this part of his story.

A walkthrough of Thomas Hardy’s “Neutral Tones” intended to be a first teaching of the poem for candidates preparing for their GCSE English Literature exam. When it comes to looking at Hardy’s use of oxymorons with “tedious riddles” and “grin of bitterness”, the ppt makes reference to some of Shakespeare’s methods in “Romeo and Juliet”. This is because this class is also studying the play so the references are intended to support a bit of recall. The final slide sets a homework - there is a multiple-choice quiz also available on TES (though listed separately).

This lesson can be taught in two ways depending on the students’ level of confidence and the amount of scaffolding required. The resource used is Vachel Lindsay’s “The Spider and the Ghost of the Fly” which is an extended metaphor exploring the end of a relationship. More confident students can approach the task more or less straight away (after a warm-up which asks them to explore the title and furnishes some initial ideas). The task and poem are on slide 3 which is a printable but could be displayed on the screen if you’re trying to cut down on photocopying ! The idea is that students will approach the task fairly cold and then the subsequent 7 slides can be used to support an improved response, ensuring that the response is as thorough as possible. Less confident students (for whom this was planned) can work through all of the slides so that they have a wealth of ideas on which to draw before attempting their own response.

Planned for a year 8 class, this lesson looks at Dickens’s viewpoint on slums and the methods that he uses to communicate this viewpoint. The lesson begins with a discussion about a modern slum, an introduction to the idea that vocabulary gives an indication about viewpoint and questioning intended to ensure that all pupils have a secure understanding of viewpoint before they begin to look at the extract. The extract used is from “Oliver Twist” as Oliver and his employer (‘owner’), Mr Sowerberry, go into the slums to collect the corpse of a woman. The lesson uses several hinge questions to check crucial points of understanding. Wherever a question is used, the answer is given on the subsequent slide, just for clarity. For some reason, the ppt preview does not appear in the correct order. I will try to get TES to rectify this.

Planned for a year 8 class as part of a unit of work on Charles Dickens, this lesson focuses on Dickens’s use of setting for characterisation. The extract used (a short one; printable is on slide 11); prior to that, the pupils are asked to look at the description of the Chocolate Room from ‘Charlie and the Chocolate Factory’, explaining how Dahl’s use of colour suggests the character of Willy Wonka. There is then a focus on concrete nouns and pupils are asked what these suggest about Willy Wonka - what aspect of his personality they might reflect. Having built confidence in this skill, the focus then shifts to the more challenging text - from ‘Great Expectations’. Having gone through some text marking, pupils are then asked to share what they think the setting suggests about Miss Havisham - then pick one aspect of that setting and write up an analytical paragraph. For homework, pupils are asked to describe a room that gives the reader clues as to their own character - describing the room’s colour, temperature, listing at least 3 concrete nouns and mentioning the view from the window.